Map Literary: A Journal of Contemporary Writing and Art
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  • Poetry
    • Dennis Hinrichsen Poetry
    • Daniel Biegelson
    • Natan Last
    • Jim Daniels Poetry
    • Michael Chang
    • D E Steward
    • Benjamin Paloff Poetry
    • David Dodd Lee
    • Isabelle Doyle
    • Kathleen Heil
    • Leonard Kress
    • Lauren Tess
    • Cesca Janece Waterfield
    • Billy Cancel Poetry
    • Scott Minar
    • Greg Glazner
    • Bruce McRae
    • Maureen Thorson
  • Fiction
    • Dan A. Cardoza
    • Steinur Bell, "How to Measure Rain"
    • John Reid, "Frames"
    • J. Alan Nelson, "Re Matter of the Longhorn Skull and One Ball Buck"
    • Emily Trachtenberg, "Plum"
    • Hector Donovan-Gonzalez
    • Rich Ives, "Insect People"
    • Christopher Linforth, "Zia"
    • Marlene Olin, "Wanna Ride?"
    • Jenessa Abrams, "You Never Wish That Upon Anyone"
    • Rebecca Berg, "My Father's Daughter"
    • Kevin Sterne, "Wisconsin's American Zoo (WAZOO) Invites You to Pet the Meese"
    • Eros Livieratos, "On Feeling"
    • James William Gardner, "Lowcountry Boil"
    • Guy Biederman, "Sociale"
    • Sean Trolinder, "MLA Citation Gone Wild"
    • Rebecca Hannigan, "Little"
    • Halsted M. Bernard, "Your Hands"
    • Justin Meckes, "The Gash"
    • Reb Livingston, from "Bombyonder"
    • Craig Foltz, "Without Stigma"
    • On Experimental Fiction
  • Nonfiction
    • Cal Freeman, "Loosestrife"
    • W.F. Lantry, "The Strange Beauty of the Unfamiliar"
    • Michael Roloff, "Accretion"
    • Andrew Sunshine, "John Hancock's John Hancock"
    • Jay Merill "Cherry Red"
    • JM Farkas, "First Mindedness, Second Language"
    • Elizabeth Levine, "Gay Geography"
    • John Bliss, "Keep the Change"
    • Miranda Royse, "Disgusting Woman"
    • Elena Botts, "Ode to Oceans"
    • Diane Payne, "3 micro memoirs"
    • Luc Sante, "Flesh and Bone"
    • Isobel O'Hare, "Failure: A Love Letter"
    • Melissa Wiley, "Barbed Wire Fence"
    • Ashley Wilkinson, "fractional distillation"
    • Lori Hawks, "The Fix"
  • Art
    • Douglas G. Campbell
    • Edward Supranowicz
    • Mario Loprete
    • Jean Wolff
    • Toti O'Brien
    • Maria DeGuzman
    • Geoffrey Detrani
    • Keith Moul
    • Annabelle Schafer
    • Robin Schwartz
    • Billy Cancel
    • The Scientist
    • Tim J. Myers
    • Derek Owens
    • Leonel Piraino
    • Matthew Rose
    • Jacob Spriggs
    • Koji Nagai
    • Kristin Allmer
    • Limor Sadot
    • Ark Codex
    • Dahlia Elsayed
    • Yuji Hiratsuka, "Beet Meets Meat"
    • Kasey Ramirez, "Edifice"
  • Archives
    • 2018 >
      • Poetry 2018 >
        • Carlos Hiraldo
        • Martin Ott
        • Karyn Anne Petracca
        • Donald Illich
        • James Reidel
        • Dennis Hinrichsen
      • Fiction 2018 >
        • Rebecca Pyle, "Winter Solstice"
        • Martin Rutley, "Job Offer on Seventh Heaven"
        • Matthew Baker, "Superhighway"
        • Matthew Serback, "How to Make a Boulder"
        • Pavle Radonic, "The Laboratory"
        • Arkor Kolubah, "A Touch of Comfort"
      • Nonfiction 2018 >
        • Scott Wordsman reviews Petter Lindgren
        • Alexander Clark, "Postdiluvian"
    • 2017 >
      • Fiction 2017 >
        • Kathryn Holzman, "Eating Meat"
        • Kaitlyn Burd, "Nature with You in It"
        • Katie Young Foster, "Promotion"
        • William Cordeiro, "Selections from Whispering Gallery"
        • Alexandra Renwick, "The Life of an Artifact in Duodecadal Glances"
        • Lizzi Wolf, "My Brother's Therapist"
      • Poetry 2017 >
        • Keith Mark Gaboury
        • Mark Decarteret
        • Douglas Piccinnini
        • Matthew McBride
        • Jim Daniels
        • Sally Ashton
        • Raymond Farr
      • Nonfiction 2017 >
        • Charlie Moses, "Dear Friend"
        • Pamela Woolford, "This Is What Happened"
        • Jennifer Martelli, "Phobiacompendia"
    • 2016 >
      • Fiction 2016 >
        • Loie Merritt, "The Edge of the Sea is a Strange and Beautiful Place"
        • Mitchell Grabois, "i"
        • Kelle Groom, "25 Reasons to Attend the Gala"
        • Mike Shepley, "Killing Symbols"
        • Jody Azzouni, "Owning Things"
        • Dan Gutstein, "Like Airplanes and Stars"
        • Kate Imbach, "Diamondland"
      • Poetry 2016 >
        • Jeff Alessandrelli
        • Daniel Coudriet
        • Peter Leight
        • John Wells
        • Jenna Cardinale
        • Isabelle Shepherd
        • Michael Robins
        • Will Walker
        • Bridget Sprouls
        • Allan Johnston
        • Hugh Behm-Steinberg
        • Caroline Knox
        • David Dodd Lee
        • John Deming
        • David McLoghlin
    • 2015 >
      • Poetry 2015 >
        • Adam Clay
        • Kyle Hemmings
        • Matthew Henriksen
        • Megan Kaminski
        • Emily Kendal Frey
        • Noelle Kocot
        • Katy Lederer
        • John Lowther
        • Nathaniel Sverloff
        • Franz Werfel -- James Reidel
      • Fiction 2015 >
        • Erin Bedford, "Riesenrad"
        • James Braziel, "Jick's Chevrolet"
        • James Braziel, "Vittate"
        • Adrian Class, "Or Flights"
        • Erica L. Kaufman, "It Buried Us"
        • Nolan Liebert, "Gravity of Hearts"
        • Heather Noland, "Cosmic Slump"
        • Tom Whalen, "In the Cathedral"
      • Nonfiction 2015 >
        • Rebecca Cook, "What the Hammer Said When the Hammer Hit the Girl"
        • Margot Kelley, "Companion Species"
    • Fall 2014 >
      • Poetry Fall 2014 >
        • Stephanie Anderson
        • John Buckley and Martin Ott
        • Vanessa Couto Johnson
        • John Estes
        • Anne Gorrick
        • Henry Israeli
        • Keegan Lester
        • John Loughlin
        • Douglas Luman
        • Danielle Mitchell
        • Alexandria Peary
        • Marcus Slease
        • Georg Trakl / James Reidel
      • Fiction Fall 2014 >
        • Matt Rowan, "Dog's Best Friend"
        • Kelli Anne Noftle, "Before She Was Olive"
        • Chris Okum, "Ratatat"
        • Jon Fried, "Cashing In"
        • Lisa C. Taylor, "Visible Wounds"
        • Sarah Kahn, "Break"
        • Rebekah Morton, "Big Sis"
      • Nonfiction Fall 2014 >
        • Stephen Benz, "Night Then Morning: Elko, Nevada"
        • Joseph C. Jiuliani, "Of Stealing and of Being Stolen"
        • Lindsay Chudzik, "Jailface"
        • Robert D. Vivian, "Just After Rain"
    • Spring 2014 >
      • Poetry Spring 2014 >
        • Simeon Berry
        • Molly Brodak
        • Wyn Cooper
        • Brian Foley
        • Tim Kahl
        • Caroline Knox
        • Rob MacDonald
        • Benjamin Paloff
      • Fiction Spring 2014 >
        • Gareth David Anderson, "Cupcake"
        • Halsted M. Bernard, "Your Hands"
        • Patrick Cole, "Pick-up Lines"
        • Joshua Graber, "This Fine Experience"
        • Lola Grace, "Natural Birth"
        • Robert E. Tanner, "Non-Disclosure Disagreement"
      • Art Spring 2014
    • 2012 & 2013
  • Pedagogy
Picture

DANIEL BIEGELSON


​
​Neighbors (VI)
“O fragment of mica, looking on which I once learned,
for the first time, that I is not something 'in me.'” 

–Martin Buber
Replace male with electrical socket. Female with garden hose. Rip through the drywall. Wind the cord. I wish I was an umbilical. Too easy. Too domestic. Too binary. Insert a question. We are bonded. Not strangled. Experience entanglement. Redact. Post bail. We used bailing wire to hold together the pallet compost bins. Purple sweet potato vines leaf out in spades. Dangle through the slats and begin to creep across the lawn. You said shadows tiptoe too. Hear the tinkering. Replace sense with sound. Hear the wind in the folds of the flag. Move the catcalling/caterwauling crowd. Students chant in t-shirts/without t-shirts. Students chant slurs. A spectacle of intimidation. ‘They’re selling postcards of.’ But these are children. Smiling. Are these children. The diagnosis predicts. A dicey. A runaway. Recovery. Replace diagnosis with daisies. Daises with fortuneteller. Are you surefooted. Find me. Redact me. Since I is failing. I is fleeting I is missing. Is a place. And another. We enter. Thick flies swarm melon rinds. The green sugar pumpkins return to half-ripen. An ocean of grass opens before my daughter as she totters. Redact the sea. The people sway/are swayed. Which people. Are you. Redact the human view. ‘The ledges in the rough sea seen from the road/the harbor.’ We are safe. Are we safe. We blasted bedrock. Laid bare before. Made roads from here to there and from there to here. Where is here. Replace where with when. Replace safe with saved. Replace saved with salve. I am approaching you with eager tenderness. Try a little. I’ve seen you. Arm pulling your daughter close. Parroting hate. Replace hate with love. Is it real. Real to me. Replace me with you. I am writing my own extinction. I am fixated on becoming a port. Plug in. Replace he with she. She with he. They with they. Come closer. Down here. See the turtle bug. Lovely parted shield of basil green. Whose work dissolves. Our work. Your work. Replace a cloud of birds with a squall of starlings. See the hidden reptiles beak the earth. Refuse/refute prehistory. It is in us always. Redact always. See the grain in the granite. The flakes of mica. Replace the present with the ever present presence of universal possession. West to east and east to west. We are the gathering of seafoam on the descending outcrop. We are the leaves drenched in sunlight and samaras spinning through the air. Today clarity. This is the sky. This is the crosswalk. I wanted to say the children. The bright children are bright. Are laughing. Are not frightened. Are still children. But you are not prepared to be you.​

​

​Neighbors (VII)

 
Replace O with only one. See Spot. See Spot run. Replace Dick with Jane. Neither says the Testament. You have. Selective reading syndrome. Does disorder matter. Is there. Chaos. Recall the molecular models from your Ms./Mr. Mueller’s chemistry class. They are they. Are you inside. Exchange inside for outside. The pink and blue beads of sodium and chloride. Crystal ionic lattice. ‘The unsettling sense of missing time.’ Memory implies revision like the way I forgot my silence for two days when you told me you were pregnant and I only recall returning with a toy turtle. Named after my father. Named after his uncle. Add owl to turtle. Revise you. You will be someone else later. Redact silence since silence is impossible. Partial. I look back despite the warning label. Objects appear. Looming. We felt sporadically guilty when just two our son sang she can take the dark out of the nighttime / And paint the daytime black while the elderly couple standing in line at the grocery store behind us were appalled at the miniature apocalypse. Replace partial with pillar. Replace pillar with shadow. Whose head. Sing. Sings ‘while you slave.’ Where do the headwaters of life begin and end. Revision implies form. ‘Do I use all of my fears.’ I am not afraid of dying now. Kicked ‘loose of the earth.’ I am afraid of the earth. For him without him. Be still breathing. The red cedars less than locusts populate the hillsides. Alter an altered place we have scraped, left bare and unknowingly invited the species. Into fire. The brambles burn. I understand sacrifice. Or some sacrifice. Are you in here with me. Eurydice. Revise. Replace with eschatology. My son now lying on the oak floorboards with his socks pedaling the air. Fitting together wooden train tracks. Soft pine. Male to female. Female to male. We are moved by the rails of language to sight and infection. Cut back on capital. The ivy roots form to fit the surface they climb. Excrete glue then dry. We reinvent the words. Sometimes with simple intonation. Revise the performance. The cadence. Make the words murmur. Make them personal. Rustle as invisible leaves. Return them to the commons. Maybe. Son. My son. And you will ask, where are the adults. Replace adults with atoms. ‘Here I am.’ You are. Look. Here is a ram. And here a door. Here a window. And let me tell you now so later. Little one. I refused. And once. I held. You. Against the metaphorical and g-dly darkness.​

​

​Neighbors (I-X) Revisited
“the odd branch scrapes across them”
                                                                                                —Vincent Van Gogh​
​Replace one plague with another. And another. Counter plague with prayer. Redact “please g-d” since the shibboleth is a chrysalis is a crescent moon. On an [insert] field. Moan me. Darling. Mumble. Replace ants with termites. Inside me is another layer of decay. What language do you speak from behind the fence. Could it be a human wall. In encampment. Row upon row of dry tents. Imprisoned in retail space. Exchange grasshoppers for crickets. See how vicious. The volta. You have. The potential to be photographed. I have plaque on my brain. You are not funny. You had me in stitches. In tear gas. Please. Replace my knees since my knees now knock. Even in the oncoming sunshine. Replace with the red light of the exit sign. Exchange sign for music. Dim for din. Too predictable like a whorl of fire. Keep at me. Now the leaves roar via wind. Ob via. Now the crowd overturning the car. Whorls. Now at a distance. Now at an unearned remove. Now walk through the museum. See the docent encroaching. See the missing thorax. The lost abdomen. Specify. See the Olive Trees. I carried you ‘across the heath and through the hedgerows.’ Replace heath with heat. See the wall again laden with words. Replace laden with loved. We bear life unevenly. You have to feed the mule my alter ego says. Find a river of cars. Which one burns. Does it matter. At which point. Who are we. Come hither. No matter how good you think the fence is, my alter ego says, cows will always find a way through. The rabbit is out of hiding. The dog yelps. Down the street barking. Replace the wideness of night with quiet. Extract the tincture. We are three letters and a redshift away. Squint hard. See the expanse expanding. Keep at me. We are witnesses to our own evolution. I knew a woman, lovely in her years, who has never bodied pain. What joy if ignorance is. What heartbreak if consciousness is. On a scale. Scale up. A mass. A mask. A scream—pinfire revolver. Herald of mass production. Shootings. Go back. Yonder. Redact evolution. Place tongue against cheek. We are murmuring congregants at a blue wedding. Waiting. Replace wedding with ending. Words inscribed upon doorposts. This time without blood. Do you forget the exodus. The thoughts of the unloved mechanical beetles cross your door. ‘The day is green.’ Why figure love for warmth. Love can be as cold. The air that makes your breathing visible. Why figure love as sight. I see for some of us. I stop upon the decibel rising. Our relationship is vertical. Inverted. I stop somewhere. And we know the daylight makes a museum of the sky. And can be seen through a window. And we volunteer to be volunteered. And we are crickets caught up with song we can no longer hope to display. And O is round. Is final. Is thunder. Is address. Replace moan with mail. So many light seconds ago. O synesthete.  ‘Last hawser. In you creaks’ our ‘last longing.’ O streets. You are ‘filled with rubble Everything will be different.’ Even daylight. ‘When we paint.’ Our symbol. Everywhere. ‘You are loosed from your moorings.’ Speak what word back. What is the body to us. Microcosm. Abridgement. Hieroglyph. Signature. You are loosed upon the tide and free. We are the embezzled sea speaking in flashes of light. Exchange embezzled for embodied. We are the genderless sea heaving upon the breathless shore. The tired. The poor. The masses. ‘Yearning to breathe.’ But what we need is (not) also. What we need is. No adherents. And oxygen.

​
​Copyright © May 2021 Daniel Biegelson

Daniel Biegelson is the author of the forthcoming book of being neighbors (Ricochet Editions) and the chapbook Only the Borrowed Light (VERSE). He is the Director of the Visiting Writers Series at Northwest Missouri State University as well as an Associate Editor for The Laurel Review. His poems have appeared in or are forthcoming from Denver Quarterly, FIELD, Grist, Interim, The Spectacle, Timber, TYPO and Zone 3, among other places. He hails from New Jersey. Find him at danielbiegelson.com

published by
The Department of English
College of Humanities & Social Sciences
The William Paterson University of New Jersey
Copyright © 2012-2022 Map Literary
Map Literary

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  • About
    • Masthead
    • Submissions
    • Rachel Wetzsteon Chapbook Award
    • In Print
    • Subscribe
    • Links
    • Internship Opportunity
    • WPU MFA
  • Poetry
    • Dennis Hinrichsen Poetry
    • Daniel Biegelson
    • Natan Last
    • Jim Daniels Poetry
    • Michael Chang
    • D E Steward
    • Benjamin Paloff Poetry
    • David Dodd Lee
    • Isabelle Doyle
    • Kathleen Heil
    • Leonard Kress
    • Lauren Tess
    • Cesca Janece Waterfield
    • Billy Cancel Poetry
    • Scott Minar
    • Greg Glazner
    • Bruce McRae
    • Maureen Thorson
  • Fiction
    • Dan A. Cardoza
    • Steinur Bell, "How to Measure Rain"
    • John Reid, "Frames"
    • J. Alan Nelson, "Re Matter of the Longhorn Skull and One Ball Buck"
    • Emily Trachtenberg, "Plum"
    • Hector Donovan-Gonzalez
    • Rich Ives, "Insect People"
    • Christopher Linforth, "Zia"
    • Marlene Olin, "Wanna Ride?"
    • Jenessa Abrams, "You Never Wish That Upon Anyone"
    • Rebecca Berg, "My Father's Daughter"
    • Kevin Sterne, "Wisconsin's American Zoo (WAZOO) Invites You to Pet the Meese"
    • Eros Livieratos, "On Feeling"
    • James William Gardner, "Lowcountry Boil"
    • Guy Biederman, "Sociale"
    • Sean Trolinder, "MLA Citation Gone Wild"
    • Rebecca Hannigan, "Little"
    • Halsted M. Bernard, "Your Hands"
    • Justin Meckes, "The Gash"
    • Reb Livingston, from "Bombyonder"
    • Craig Foltz, "Without Stigma"
    • On Experimental Fiction
  • Nonfiction
    • Cal Freeman, "Loosestrife"
    • W.F. Lantry, "The Strange Beauty of the Unfamiliar"
    • Michael Roloff, "Accretion"
    • Andrew Sunshine, "John Hancock's John Hancock"
    • Jay Merill "Cherry Red"
    • JM Farkas, "First Mindedness, Second Language"
    • Elizabeth Levine, "Gay Geography"
    • John Bliss, "Keep the Change"
    • Miranda Royse, "Disgusting Woman"
    • Elena Botts, "Ode to Oceans"
    • Diane Payne, "3 micro memoirs"
    • Luc Sante, "Flesh and Bone"
    • Isobel O'Hare, "Failure: A Love Letter"
    • Melissa Wiley, "Barbed Wire Fence"
    • Ashley Wilkinson, "fractional distillation"
    • Lori Hawks, "The Fix"
  • Art
    • Douglas G. Campbell
    • Edward Supranowicz
    • Mario Loprete
    • Jean Wolff
    • Toti O'Brien
    • Maria DeGuzman
    • Geoffrey Detrani
    • Keith Moul
    • Annabelle Schafer
    • Robin Schwartz
    • Billy Cancel
    • The Scientist
    • Tim J. Myers
    • Derek Owens
    • Leonel Piraino
    • Matthew Rose
    • Jacob Spriggs
    • Koji Nagai
    • Kristin Allmer
    • Limor Sadot
    • Ark Codex
    • Dahlia Elsayed
    • Yuji Hiratsuka, "Beet Meets Meat"
    • Kasey Ramirez, "Edifice"
  • Archives
    • 2018 >
      • Poetry 2018 >
        • Carlos Hiraldo
        • Martin Ott
        • Karyn Anne Petracca
        • Donald Illich
        • James Reidel
        • Dennis Hinrichsen
      • Fiction 2018 >
        • Rebecca Pyle, "Winter Solstice"
        • Martin Rutley, "Job Offer on Seventh Heaven"
        • Matthew Baker, "Superhighway"
        • Matthew Serback, "How to Make a Boulder"
        • Pavle Radonic, "The Laboratory"
        • Arkor Kolubah, "A Touch of Comfort"
      • Nonfiction 2018 >
        • Scott Wordsman reviews Petter Lindgren
        • Alexander Clark, "Postdiluvian"
    • 2017 >
      • Fiction 2017 >
        • Kathryn Holzman, "Eating Meat"
        • Kaitlyn Burd, "Nature with You in It"
        • Katie Young Foster, "Promotion"
        • William Cordeiro, "Selections from Whispering Gallery"
        • Alexandra Renwick, "The Life of an Artifact in Duodecadal Glances"
        • Lizzi Wolf, "My Brother's Therapist"
      • Poetry 2017 >
        • Keith Mark Gaboury
        • Mark Decarteret
        • Douglas Piccinnini
        • Matthew McBride
        • Jim Daniels
        • Sally Ashton
        • Raymond Farr
      • Nonfiction 2017 >
        • Charlie Moses, "Dear Friend"
        • Pamela Woolford, "This Is What Happened"
        • Jennifer Martelli, "Phobiacompendia"
    • 2016 >
      • Fiction 2016 >
        • Loie Merritt, "The Edge of the Sea is a Strange and Beautiful Place"
        • Mitchell Grabois, "i"
        • Kelle Groom, "25 Reasons to Attend the Gala"
        • Mike Shepley, "Killing Symbols"
        • Jody Azzouni, "Owning Things"
        • Dan Gutstein, "Like Airplanes and Stars"
        • Kate Imbach, "Diamondland"
      • Poetry 2016 >
        • Jeff Alessandrelli
        • Daniel Coudriet
        • Peter Leight
        • John Wells
        • Jenna Cardinale
        • Isabelle Shepherd
        • Michael Robins
        • Will Walker
        • Bridget Sprouls
        • Allan Johnston
        • Hugh Behm-Steinberg
        • Caroline Knox
        • David Dodd Lee
        • John Deming
        • David McLoghlin
    • 2015 >
      • Poetry 2015 >
        • Adam Clay
        • Kyle Hemmings
        • Matthew Henriksen
        • Megan Kaminski
        • Emily Kendal Frey
        • Noelle Kocot
        • Katy Lederer
        • John Lowther
        • Nathaniel Sverloff
        • Franz Werfel -- James Reidel
      • Fiction 2015 >
        • Erin Bedford, "Riesenrad"
        • James Braziel, "Jick's Chevrolet"
        • James Braziel, "Vittate"
        • Adrian Class, "Or Flights"
        • Erica L. Kaufman, "It Buried Us"
        • Nolan Liebert, "Gravity of Hearts"
        • Heather Noland, "Cosmic Slump"
        • Tom Whalen, "In the Cathedral"
      • Nonfiction 2015 >
        • Rebecca Cook, "What the Hammer Said When the Hammer Hit the Girl"
        • Margot Kelley, "Companion Species"
    • Fall 2014 >
      • Poetry Fall 2014 >
        • Stephanie Anderson
        • John Buckley and Martin Ott
        • Vanessa Couto Johnson
        • John Estes
        • Anne Gorrick
        • Henry Israeli
        • Keegan Lester
        • John Loughlin
        • Douglas Luman
        • Danielle Mitchell
        • Alexandria Peary
        • Marcus Slease
        • Georg Trakl / James Reidel
      • Fiction Fall 2014 >
        • Matt Rowan, "Dog's Best Friend"
        • Kelli Anne Noftle, "Before She Was Olive"
        • Chris Okum, "Ratatat"
        • Jon Fried, "Cashing In"
        • Lisa C. Taylor, "Visible Wounds"
        • Sarah Kahn, "Break"
        • Rebekah Morton, "Big Sis"
      • Nonfiction Fall 2014 >
        • Stephen Benz, "Night Then Morning: Elko, Nevada"
        • Joseph C. Jiuliani, "Of Stealing and of Being Stolen"
        • Lindsay Chudzik, "Jailface"
        • Robert D. Vivian, "Just After Rain"
    • Spring 2014 >
      • Poetry Spring 2014 >
        • Simeon Berry
        • Molly Brodak
        • Wyn Cooper
        • Brian Foley
        • Tim Kahl
        • Caroline Knox
        • Rob MacDonald
        • Benjamin Paloff
      • Fiction Spring 2014 >
        • Gareth David Anderson, "Cupcake"
        • Halsted M. Bernard, "Your Hands"
        • Patrick Cole, "Pick-up Lines"
        • Joshua Graber, "This Fine Experience"
        • Lola Grace, "Natural Birth"
        • Robert E. Tanner, "Non-Disclosure Disagreement"
      • Art Spring 2014
    • 2012 & 2013
  • Pedagogy