Map Literary: A Journal of Contemporary Writing and Art
  • About
    • Masthead
    • Submissions
    • Rachel Wetzsteon Chapbook Award
    • In Print
    • Subscribe
    • Links
    • Internship Opportunity
    • WPU MFA
  • Poetry
    • Dennis Hinrichsen Poetry
    • Daniel Biegelson
    • Natan Last
    • Jim Daniels Poetry
    • Michael Chang
    • D E Steward
    • Benjamin Paloff Poetry
    • David Dodd Lee
    • Isabelle Doyle
    • Kathleen Heil
    • Leonard Kress
    • Lauren Tess
    • Cesca Janece Waterfield
    • Billy Cancel Poetry
    • Scott Minar
    • Greg Glazner
    • Bruce McRae
    • Maureen Thorson
  • Fiction
    • Dan A. Cardoza
    • Steinur Bell, "How to Measure Rain"
    • John Reid, "Frames"
    • J. Alan Nelson, "Re Matter of the Longhorn Skull and One Ball Buck"
    • Emily Trachtenberg, "Plum"
    • Hector Donovan-Gonzalez
    • Rich Ives, "Insect People"
    • Christopher Linforth, "Zia"
    • Marlene Olin, "Wanna Ride?"
    • Jenessa Abrams, "You Never Wish That Upon Anyone"
    • Rebecca Berg, "My Father's Daughter"
    • Kevin Sterne, "Wisconsin's American Zoo (WAZOO) Invites You to Pet the Meese"
    • Eros Livieratos, "On Feeling"
    • James William Gardner, "Lowcountry Boil"
    • Guy Biederman, "Sociale"
    • Sean Trolinder, "MLA Citation Gone Wild"
    • Rebecca Hannigan, "Little"
    • Halsted M. Bernard, "Your Hands"
    • Justin Meckes, "The Gash"
    • Reb Livingston, from "Bombyonder"
    • Craig Foltz, "Without Stigma"
    • On Experimental Fiction
  • Nonfiction
    • Cal Freeman, "Loosestrife"
    • W.F. Lantry, "The Strange Beauty of the Unfamiliar"
    • Michael Roloff, "Accretion"
    • Andrew Sunshine, "John Hancock's John Hancock"
    • Jay Merill "Cherry Red"
    • JM Farkas, "First Mindedness, Second Language"
    • Elizabeth Levine, "Gay Geography"
    • John Bliss, "Keep the Change"
    • Miranda Royse, "Disgusting Woman"
    • Elena Botts, "Ode to Oceans"
    • Diane Payne, "3 micro memoirs"
    • Luc Sante, "Flesh and Bone"
    • Isobel O'Hare, "Failure: A Love Letter"
    • Melissa Wiley, "Barbed Wire Fence"
    • Ashley Wilkinson, "fractional distillation"
    • Lori Hawks, "The Fix"
  • Art
    • Douglas G. Campbell
    • Edward Supranowicz
    • Mario Loprete
    • Jean Wolff
    • Toti O'Brien
    • Maria DeGuzman
    • Geoffrey Detrani
    • Keith Moul
    • Annabelle Schafer
    • Robin Schwartz
    • Billy Cancel
    • The Scientist
    • Tim J. Myers
    • Derek Owens
    • Leonel Piraino
    • Matthew Rose
    • Jacob Spriggs
    • Koji Nagai
    • Kristin Allmer
    • Limor Sadot
    • Ark Codex
    • Dahlia Elsayed
    • Yuji Hiratsuka, "Beet Meets Meat"
    • Kasey Ramirez, "Edifice"
  • Archives
    • 2018 >
      • Poetry 2018 >
        • Carlos Hiraldo
        • Martin Ott
        • Karyn Anne Petracca
        • Donald Illich
        • James Reidel
        • Dennis Hinrichsen
      • Fiction 2018 >
        • Rebecca Pyle, "Winter Solstice"
        • Martin Rutley, "Job Offer on Seventh Heaven"
        • Matthew Baker, "Superhighway"
        • Matthew Serback, "How to Make a Boulder"
        • Pavle Radonic, "The Laboratory"
        • Arkor Kolubah, "A Touch of Comfort"
      • Nonfiction 2018 >
        • Scott Wordsman reviews Petter Lindgren
        • Alexander Clark, "Postdiluvian"
    • 2017 >
      • Fiction 2017 >
        • Kathryn Holzman, "Eating Meat"
        • Kaitlyn Burd, "Nature with You in It"
        • Katie Young Foster, "Promotion"
        • William Cordeiro, "Selections from Whispering Gallery"
        • Alexandra Renwick, "The Life of an Artifact in Duodecadal Glances"
        • Lizzi Wolf, "My Brother's Therapist"
      • Poetry 2017 >
        • Keith Mark Gaboury
        • Mark Decarteret
        • Douglas Piccinnini
        • Matthew McBride
        • Jim Daniels
        • Sally Ashton
        • Raymond Farr
      • Nonfiction 2017 >
        • Charlie Moses, "Dear Friend"
        • Pamela Woolford, "This Is What Happened"
        • Jennifer Martelli, "Phobiacompendia"
    • 2016 >
      • Fiction 2016 >
        • Loie Merritt, "The Edge of the Sea is a Strange and Beautiful Place"
        • Mitchell Grabois, "i"
        • Kelle Groom, "25 Reasons to Attend the Gala"
        • Mike Shepley, "Killing Symbols"
        • Jody Azzouni, "Owning Things"
        • Dan Gutstein, "Like Airplanes and Stars"
        • Kate Imbach, "Diamondland"
      • Poetry 2016 >
        • Jeff Alessandrelli
        • Daniel Coudriet
        • Peter Leight
        • John Wells
        • Jenna Cardinale
        • Isabelle Shepherd
        • Michael Robins
        • Will Walker
        • Bridget Sprouls
        • Allan Johnston
        • Hugh Behm-Steinberg
        • Caroline Knox
        • David Dodd Lee
        • John Deming
        • David McLoghlin
    • 2015 >
      • Poetry 2015 >
        • Adam Clay
        • Kyle Hemmings
        • Matthew Henriksen
        • Megan Kaminski
        • Emily Kendal Frey
        • Noelle Kocot
        • Katy Lederer
        • John Lowther
        • Nathaniel Sverloff
        • Franz Werfel -- James Reidel
      • Fiction 2015 >
        • Erin Bedford, "Riesenrad"
        • James Braziel, "Jick's Chevrolet"
        • James Braziel, "Vittate"
        • Adrian Class, "Or Flights"
        • Erica L. Kaufman, "It Buried Us"
        • Nolan Liebert, "Gravity of Hearts"
        • Heather Noland, "Cosmic Slump"
        • Tom Whalen, "In the Cathedral"
      • Nonfiction 2015 >
        • Rebecca Cook, "What the Hammer Said When the Hammer Hit the Girl"
        • Margot Kelley, "Companion Species"
    • Fall 2014 >
      • Poetry Fall 2014 >
        • Stephanie Anderson
        • John Buckley and Martin Ott
        • Vanessa Couto Johnson
        • John Estes
        • Anne Gorrick
        • Henry Israeli
        • Keegan Lester
        • John Loughlin
        • Douglas Luman
        • Danielle Mitchell
        • Alexandria Peary
        • Marcus Slease
        • Georg Trakl / James Reidel
      • Fiction Fall 2014 >
        • Matt Rowan, "Dog's Best Friend"
        • Kelli Anne Noftle, "Before She Was Olive"
        • Chris Okum, "Ratatat"
        • Jon Fried, "Cashing In"
        • Lisa C. Taylor, "Visible Wounds"
        • Sarah Kahn, "Break"
        • Rebekah Morton, "Big Sis"
      • Nonfiction Fall 2014 >
        • Stephen Benz, "Night Then Morning: Elko, Nevada"
        • Joseph C. Jiuliani, "Of Stealing and of Being Stolen"
        • Lindsay Chudzik, "Jailface"
        • Robert D. Vivian, "Just After Rain"
    • Spring 2014 >
      • Poetry Spring 2014 >
        • Simeon Berry
        • Molly Brodak
        • Wyn Cooper
        • Brian Foley
        • Tim Kahl
        • Caroline Knox
        • Rob MacDonald
        • Benjamin Paloff
      • Fiction Spring 2014 >
        • Gareth David Anderson, "Cupcake"
        • Halsted M. Bernard, "Your Hands"
        • Patrick Cole, "Pick-up Lines"
        • Joshua Graber, "This Fine Experience"
        • Lola Grace, "Natural Birth"
        • Robert E. Tanner, "Non-Disclosure Disagreement"
      • Art Spring 2014
    • 2012 & 2013
  • Pedagogy
Picture

RICH IVES


​​
All the Eds
Brown Elfin Butterfly

As simply as the moment forward finally becomes the direction to lean and then rise from, we
acknowledge we’ve been eating salal, bitterbrush, and blueberry in the forests and the brush-
lands. A confession of type. A singular family.

Ed’s top’s down, brown below us, and we realize we’re Ed, hind-parts blunt to his tail, irregular
white line separating the dark brown inner region from the pale pinkish-brown outer region.

Terrestrial and squared, Ed’s ownership lies fallow. Right now, Ed doesn’t even own Ed. It’s as
if one were to suddenly realize a hooded snail could really be monkish.

Now think about elevating. Ask a contrail. Ask a series of mysterious dots on an unopened wing.
Ask a bowl of fog. Ask the departure of primal indifference.

We hover (nearly all of the Eds) above moist ground along roads through forests. We watch the
sunset trekking and the celestial cadavers. We tire in the face of bright compliments. We sleep in
a darkness that burns with no flame and no heat.

Ask impenetrable thickets. Ask the yellow goat. Ask the legendary Captain Slobber, he of the
wallowing in it, he of the silent whining. Ask Slobber’s trail to unwind. Ask the brighter children
of premature sunsets.

Something else, something indecipherable is still here, kissing and kissing with Ed, as if love
required more than two of us, restrained yet finally releasing, before the double lover of self
could even begin to look for a mate.

Do you know that nothing merely chosen satisfies like wild blueberry and kinnickinnick?

Now ask forgiveness for all that you have not done.

Now do it.

All the Eds will be listening. All the Eds will be you.
​
We awaken. We do.




Understanding the Dominant Mythologies of Reproduction among the Perceptually Challenged 
Brown-banded Skipper Butterfly

We had names for things that didn’t match, moth-like, for example, which Martin claimed we
were, though mostly above, gray-brown on the forward side, crossed by rows of generally
separated grown spots, tawnier there. Martin called that The Dove Principle.

Martin’s children appeared first to be little more than small lanterns, a little pale and darkened to
a golden green. Later, they carried yellow speckles and lines dotted with orange. They fed on
vines and seemed to be climbing out of a glossy green recumbence, dreamily considering the city
gardens of Texas, while hotels of welcoming vines grew elsewhere and suffered.

Sometimes Martin seemed to nest in a colony of Martins and eat up little versions of himself. He
flew around like a madman and gathered up just enough ideas of himself to make a meal, and
then he perched and re-examined himself, as if he felt now that he was satisfied, there must be
something missing, because he could never really be satisfied with the satisfactions he had
already known.

There’s a space over the pond all the Martins like to occupy briefly, as if time hitched and
whatever they could find there could go away with them. All the Martins looked alike because
all the Martins were really as one, and the space over the pond was the same. Each Martin
experienced the space thinking it was unique and went on about his (or her, because Martin was
diverse and rather curious about survival) day just like all the other Martins, who were equally
busy devouring themselves. We had a name for this that didn’t match, of course, but we didn’t
wish to clutter the air with confusing spaces, so we just flapped and flapped and grew lighter
without noticing because the name for it didn’t even suggest that’s what we were doing.

The voice of reason wasn’t really The Voice of Reason any more than The Dove Principle was
generated by a bird. We liked to think of them as dreary and droll so that we could celebrate just
that much more when we discovered differently, which we did almost every time we made
another discovery.


​

Growth Variables
Cabbage White Butterfly

The cabbage’s assertions had been broken and the broccoli was no longer complaining. The top
of the problem was white, a little dingy in the female, the forward elements dusted with black at
the apex.

Underneath the problem was a cream or pale olive impression, European, inadvertently
introduced in the 19th century. It had become at home in urban developed areas, speaking with
gestures instead of words as the undersides of cabbage, broccoli, nasturtium leaves.

Earlier there had been a certain green with a fine yellow line on the sides that diminished as the
two or three generations per year began to appear. Life was short in the early days. Sometimes
we overlooked the horizon as a result, and it closed in upon us. Ion sauntered past, intoxicated by
the possibilities, which remained unnamed and potential.

A fat little package of wingless containment arrived without mobility or elevation. We began to
sort the package into clothing types. There wasn’t a single doorman. The windows remained
open and the dutifully expected fire was so small a single wing put it out. Where did it come
from?

The package of course was a member of the crowd now and could no longer be separated from
appearances. Ion was trying to explain what had happened, but he wasn’t really listening to
himself. Broccoli was absent. Cabbage was absent.

There are thousands of these cloud parts floating with their arms out, Ion explained, not really
listening. Imagine the cloud they might appear to be if they ever came together and didn’t bump
each other.

What shall we do now with the leftover packages?

I don’t know how to explain the appearance of someone else’s clothing, said Ion, tucking in his
outer garments from the inside. He wasn’t really all thumbs though you might imagine it if you
perceived the thumbs as gentle and pale and very much above you in your leafy expansions.

​​
​Copyright © February 2021 Rich Ives

Rich Ives has received awards from the National Endowment for the Arts, Artist Trust, Seattle Arts Commission and the Coordinating Council of Literary Magazines for his work in poetry, fiction, editing, publishing, translation and photography. He is the 2009 winner of the Francis Locke Poetry Award from Bitter Oleander and the 2012 winner of the Thin Air Creative Nonfiction Award. His books include Light from a Small Brown Bird (Bitter Oleander Press—poetry), Sharpen (The Newer York—fiction chapbook), The Balloon Containing the Water Containing the Narrative Begins Leaking (What Books—​stories) and Tunneling to the Moon (Silenced Press—hybrid).

published by
The Department of English
College of Humanities & Social Sciences
The William Paterson University of New Jersey
Copyright © 2012-2022 Map Literary
Map Literary

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  • About
    • Masthead
    • Submissions
    • Rachel Wetzsteon Chapbook Award
    • In Print
    • Subscribe
    • Links
    • Internship Opportunity
    • WPU MFA
  • Poetry
    • Dennis Hinrichsen Poetry
    • Daniel Biegelson
    • Natan Last
    • Jim Daniels Poetry
    • Michael Chang
    • D E Steward
    • Benjamin Paloff Poetry
    • David Dodd Lee
    • Isabelle Doyle
    • Kathleen Heil
    • Leonard Kress
    • Lauren Tess
    • Cesca Janece Waterfield
    • Billy Cancel Poetry
    • Scott Minar
    • Greg Glazner
    • Bruce McRae
    • Maureen Thorson
  • Fiction
    • Dan A. Cardoza
    • Steinur Bell, "How to Measure Rain"
    • John Reid, "Frames"
    • J. Alan Nelson, "Re Matter of the Longhorn Skull and One Ball Buck"
    • Emily Trachtenberg, "Plum"
    • Hector Donovan-Gonzalez
    • Rich Ives, "Insect People"
    • Christopher Linforth, "Zia"
    • Marlene Olin, "Wanna Ride?"
    • Jenessa Abrams, "You Never Wish That Upon Anyone"
    • Rebecca Berg, "My Father's Daughter"
    • Kevin Sterne, "Wisconsin's American Zoo (WAZOO) Invites You to Pet the Meese"
    • Eros Livieratos, "On Feeling"
    • James William Gardner, "Lowcountry Boil"
    • Guy Biederman, "Sociale"
    • Sean Trolinder, "MLA Citation Gone Wild"
    • Rebecca Hannigan, "Little"
    • Halsted M. Bernard, "Your Hands"
    • Justin Meckes, "The Gash"
    • Reb Livingston, from "Bombyonder"
    • Craig Foltz, "Without Stigma"
    • On Experimental Fiction
  • Nonfiction
    • Cal Freeman, "Loosestrife"
    • W.F. Lantry, "The Strange Beauty of the Unfamiliar"
    • Michael Roloff, "Accretion"
    • Andrew Sunshine, "John Hancock's John Hancock"
    • Jay Merill "Cherry Red"
    • JM Farkas, "First Mindedness, Second Language"
    • Elizabeth Levine, "Gay Geography"
    • John Bliss, "Keep the Change"
    • Miranda Royse, "Disgusting Woman"
    • Elena Botts, "Ode to Oceans"
    • Diane Payne, "3 micro memoirs"
    • Luc Sante, "Flesh and Bone"
    • Isobel O'Hare, "Failure: A Love Letter"
    • Melissa Wiley, "Barbed Wire Fence"
    • Ashley Wilkinson, "fractional distillation"
    • Lori Hawks, "The Fix"
  • Art
    • Douglas G. Campbell
    • Edward Supranowicz
    • Mario Loprete
    • Jean Wolff
    • Toti O'Brien
    • Maria DeGuzman
    • Geoffrey Detrani
    • Keith Moul
    • Annabelle Schafer
    • Robin Schwartz
    • Billy Cancel
    • The Scientist
    • Tim J. Myers
    • Derek Owens
    • Leonel Piraino
    • Matthew Rose
    • Jacob Spriggs
    • Koji Nagai
    • Kristin Allmer
    • Limor Sadot
    • Ark Codex
    • Dahlia Elsayed
    • Yuji Hiratsuka, "Beet Meets Meat"
    • Kasey Ramirez, "Edifice"
  • Archives
    • 2018 >
      • Poetry 2018 >
        • Carlos Hiraldo
        • Martin Ott
        • Karyn Anne Petracca
        • Donald Illich
        • James Reidel
        • Dennis Hinrichsen
      • Fiction 2018 >
        • Rebecca Pyle, "Winter Solstice"
        • Martin Rutley, "Job Offer on Seventh Heaven"
        • Matthew Baker, "Superhighway"
        • Matthew Serback, "How to Make a Boulder"
        • Pavle Radonic, "The Laboratory"
        • Arkor Kolubah, "A Touch of Comfort"
      • Nonfiction 2018 >
        • Scott Wordsman reviews Petter Lindgren
        • Alexander Clark, "Postdiluvian"
    • 2017 >
      • Fiction 2017 >
        • Kathryn Holzman, "Eating Meat"
        • Kaitlyn Burd, "Nature with You in It"
        • Katie Young Foster, "Promotion"
        • William Cordeiro, "Selections from Whispering Gallery"
        • Alexandra Renwick, "The Life of an Artifact in Duodecadal Glances"
        • Lizzi Wolf, "My Brother's Therapist"
      • Poetry 2017 >
        • Keith Mark Gaboury
        • Mark Decarteret
        • Douglas Piccinnini
        • Matthew McBride
        • Jim Daniels
        • Sally Ashton
        • Raymond Farr
      • Nonfiction 2017 >
        • Charlie Moses, "Dear Friend"
        • Pamela Woolford, "This Is What Happened"
        • Jennifer Martelli, "Phobiacompendia"
    • 2016 >
      • Fiction 2016 >
        • Loie Merritt, "The Edge of the Sea is a Strange and Beautiful Place"
        • Mitchell Grabois, "i"
        • Kelle Groom, "25 Reasons to Attend the Gala"
        • Mike Shepley, "Killing Symbols"
        • Jody Azzouni, "Owning Things"
        • Dan Gutstein, "Like Airplanes and Stars"
        • Kate Imbach, "Diamondland"
      • Poetry 2016 >
        • Jeff Alessandrelli
        • Daniel Coudriet
        • Peter Leight
        • John Wells
        • Jenna Cardinale
        • Isabelle Shepherd
        • Michael Robins
        • Will Walker
        • Bridget Sprouls
        • Allan Johnston
        • Hugh Behm-Steinberg
        • Caroline Knox
        • David Dodd Lee
        • John Deming
        • David McLoghlin
    • 2015 >
      • Poetry 2015 >
        • Adam Clay
        • Kyle Hemmings
        • Matthew Henriksen
        • Megan Kaminski
        • Emily Kendal Frey
        • Noelle Kocot
        • Katy Lederer
        • John Lowther
        • Nathaniel Sverloff
        • Franz Werfel -- James Reidel
      • Fiction 2015 >
        • Erin Bedford, "Riesenrad"
        • James Braziel, "Jick's Chevrolet"
        • James Braziel, "Vittate"
        • Adrian Class, "Or Flights"
        • Erica L. Kaufman, "It Buried Us"
        • Nolan Liebert, "Gravity of Hearts"
        • Heather Noland, "Cosmic Slump"
        • Tom Whalen, "In the Cathedral"
      • Nonfiction 2015 >
        • Rebecca Cook, "What the Hammer Said When the Hammer Hit the Girl"
        • Margot Kelley, "Companion Species"
    • Fall 2014 >
      • Poetry Fall 2014 >
        • Stephanie Anderson
        • John Buckley and Martin Ott
        • Vanessa Couto Johnson
        • John Estes
        • Anne Gorrick
        • Henry Israeli
        • Keegan Lester
        • John Loughlin
        • Douglas Luman
        • Danielle Mitchell
        • Alexandria Peary
        • Marcus Slease
        • Georg Trakl / James Reidel
      • Fiction Fall 2014 >
        • Matt Rowan, "Dog's Best Friend"
        • Kelli Anne Noftle, "Before She Was Olive"
        • Chris Okum, "Ratatat"
        • Jon Fried, "Cashing In"
        • Lisa C. Taylor, "Visible Wounds"
        • Sarah Kahn, "Break"
        • Rebekah Morton, "Big Sis"
      • Nonfiction Fall 2014 >
        • Stephen Benz, "Night Then Morning: Elko, Nevada"
        • Joseph C. Jiuliani, "Of Stealing and of Being Stolen"
        • Lindsay Chudzik, "Jailface"
        • Robert D. Vivian, "Just After Rain"
    • Spring 2014 >
      • Poetry Spring 2014 >
        • Simeon Berry
        • Molly Brodak
        • Wyn Cooper
        • Brian Foley
        • Tim Kahl
        • Caroline Knox
        • Rob MacDonald
        • Benjamin Paloff
      • Fiction Spring 2014 >
        • Gareth David Anderson, "Cupcake"
        • Halsted M. Bernard, "Your Hands"
        • Patrick Cole, "Pick-up Lines"
        • Joshua Graber, "This Fine Experience"
        • Lola Grace, "Natural Birth"
        • Robert E. Tanner, "Non-Disclosure Disagreement"
      • Art Spring 2014
    • 2012 & 2013
  • Pedagogy