Map Literary: A Journal of Contemporary Writing and Art
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  • Nonfiction
    • Jill Darling, "Linger Here"
    • Charles Tarlton, "Har Mĕgiddōn (הר מגידו): The Coming American Fiasco"
    • Martha Wiseman, "Loose Ends"
    • Jan Jolly, "Through My Father's Glasses"
    • Kristina Moriconi, "Still Looking"
    • Wm. Anthony Connolly, "IGY"
    • Cal Freeman, "Loosestrife"
    • Jim Daniels
    • W.F. Lantry, "The Strange Beauty of the Unfamiliar"
    • Michael Roloff, "Accretion"
    • Andrew Sunshine, "John Hancock's John Hancock"
    • Diane Payne, "3 micro memoirs"
    • Luc Sante, "Flesh and Bone"
    • Isobel O'Hare, "Failure: A Love Letter"
    • Melissa Wiley, "Barbed Wire Fence"
    • Ashley Wilkinson, "fractional distillation"
  • Poetry
    • Orion Allen
    • Mark DeCarteret 2024
    • Mary Christine Delea
    • Kara Lewis
    • Jim Daniels
    • Martine van Bijlert
    • Adam Day
    • Sunday T. Saheed
    • Alexandria Peary 2023
    • Fiona Lu
    • Harley Chapman
    • Richard Ryal
    • Sherwood Anderson
    • Mark DeCarteret
    • Dennis Hinrichsen Poetry
    • Daniel Biegelson
    • Natan Last
    • Michael Chang
    • D E Steward
    • Benjamin Paloff Poetry
    • David Dodd Lee
    • Isabelle Doyle
    • Kathleen Heil
    • Leonard Kress
    • Lauren Tess
    • Cesca Janece Waterfield
    • Billy Cancel Poetry
    • Scott Minar
    • Mark Decarteret
    • Greg Glazner
    • Bruce McRae
    • Maureen Thorson
  • Fiction
    • On Experimental Fiction
    • Leonnard Menifee, "The Long, Long Ice Picks At the Old Frostee Freeze"
    • Maisy Phelps, "Marina and Marina and Marina and Marina"
    • Mary Lewis, "Red Knees"
    • Anna Mantzaris, "Strange Magic"
    • Ross Kimberlin, "The Queen of Emilys"
    • Mark Cassidy, "How I Met My Wife"
    • Emily Trachtenberg, "Plum"
    • Hector Donovan-Gonzalez
    • Christopher Linforth, "Zia"
    • Jenessa Abrams, "You Never Wish That Upon Anyone"
    • Eros Livieratos, "On Feeling"
    • Halsted M. Bernard, "Your Hands"
    • Justin Meckes, "The Gash"
    • Reb Livingston, from "Bombyonder"
    • Craig Foltz, "Without Stigma"
  • Art
Picture

ALEXANDRIA PEARY


Recast I

On days like yesterday when the pollutionologists forecast 
a Level 4 or Level 5, hard to find his house, 

let alone a 10 x 10-inch plastic dog door, 
the tie-dyed smog as high as those trees & today’s only Level 2,

he can make out the Karlsson’s neo-Tudor Colonial & the stone statue 
of a Labrador retriever w/ the mailbox in its mouth, a rattling 

of the holly bush near the rhododendron that didn’t survive
last winter’s unseasonably seasonal double feature winter &

he should try this more often—heading into the office late
to avoid gladiatorial traffic, though it’s tough living w/ killers &

they’re tag teaming, cats Bonnie & Clyde. Clack clack goes the dog gate…
the walnut of the brain, pistachio of a green spleen, 

almond of a stomach, left on the porch separated & clean,
like those anatomical posters in grade school, 

“The Nervous System,” “The Digestive System,” “Circulation,” 
using the outline of his desk mate Karen or Kevin's body.

Peel off the tape holding parts of the short story
in couplets. See also Paul Hoover, The Novel,

a book of poems about writing a novel: “Thus the novel began, 
twenty / angels blue and over because / of what they do for a living.”

See also Michelangelo, i.e.: “Atlas Slave,” “Dying Slave,” 
“Rebellious Slave,” known as the “Prisoners.”

Non-finito as a working practice. –prewriting, unchiseled
-or first chiseling left in final draft. 

17,500-40,000 words is the industry standard for a novella
on the auction block. In a rush of plot…. 

Our main character seems to have lost his youngish wife, 
it’s suggested to opioids, not COVID, 

“It’s about Tim,” his mentee is saying as the wheat grass shots arrive.
Her shoulder pads are armor. [For the first time, he has his doubts

Tim has torpedoed her / stole her idea / her promotion is D.O.A.
could he step in and do something?

/////  In the fable of The Scorpion and the Monk,
an early rendition of office //// politics,

the monk who carries the scorpion across a lake
is stung in the middle of the body of water

causing the dying monk to ask, Why? & the drowning scorpion
replies it’s his dharma, as it’s the monk’s dharma to help 

even when against his own interests. Go ahead, take that spot.
He finds another in the mid-level employee lot

narrowly avoiding the lotus planter. On the wall screen,
in the Pagoda Meeting Room, the junior associate, Newark office, 

braces for impact, but CEO Sir Stephen pads barefoot
across the bamboo floor in his mood changing suit 

to rescue a stink bug, hands the catering napkin 
to VP of Genre Affairs, the glass doors part, 

“Escort the visitor outdoors.” 

No such thing as the lowly, no such thing as the untouchable 
at Harmony, Inc., the world’s innovator

in spiritual technology, advice delivered thru gamma waves. 
///////////////////////////////////////////////////////




​Copyright © Nov 2023 Alexandria Peary

PicturePhoto by Brian Malloy.
Alexandria Peary serves as New Hampshire Poet Laureate and is the author of nine books, most recently, Battle of Silicon Valley at Daybreak. Her work has received an Academy of American Poets Laureate Fellowship, the Slope Editions Book Prize, and the Iowa Poetry Prize. Her poems have recently appeared in New American Writing, Barrow Street, and the North American Review, and Consequence is publishing her "Pforzheim Quartet" as a series; the first installment, with video and audio, is available at the magazine webpage.​​


published by
The MFA in Creative and Professional Writing Program
Department of Language, Literature, Culture, and Writing

College of Arts, Humanities & Social Sciences
The William Paterson University of New Jersey
Copyright © 2012-2025 Map Literary
Map Literary

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  • About
    • Masthead
    • Submissions
    • NJ High School Writing Contest
    • Rachel Wetzsteon Chapbook Award
    • NJ Undergraduate Writing Contest
    • In Print
    • Subscribe
    • Internship Opportunity
    • Links
    • WPU MFA
  • Nonfiction
    • Jill Darling, "Linger Here"
    • Charles Tarlton, "Har Mĕgiddōn (הר מגידו): The Coming American Fiasco"
    • Martha Wiseman, "Loose Ends"
    • Jan Jolly, "Through My Father's Glasses"
    • Kristina Moriconi, "Still Looking"
    • Wm. Anthony Connolly, "IGY"
    • Cal Freeman, "Loosestrife"
    • Jim Daniels
    • W.F. Lantry, "The Strange Beauty of the Unfamiliar"
    • Michael Roloff, "Accretion"
    • Andrew Sunshine, "John Hancock's John Hancock"
    • Diane Payne, "3 micro memoirs"
    • Luc Sante, "Flesh and Bone"
    • Isobel O'Hare, "Failure: A Love Letter"
    • Melissa Wiley, "Barbed Wire Fence"
    • Ashley Wilkinson, "fractional distillation"
  • Poetry
    • Orion Allen
    • Mark DeCarteret 2024
    • Mary Christine Delea
    • Kara Lewis
    • Jim Daniels
    • Martine van Bijlert
    • Adam Day
    • Sunday T. Saheed
    • Alexandria Peary 2023
    • Fiona Lu
    • Harley Chapman
    • Richard Ryal
    • Sherwood Anderson
    • Mark DeCarteret
    • Dennis Hinrichsen Poetry
    • Daniel Biegelson
    • Natan Last
    • Michael Chang
    • D E Steward
    • Benjamin Paloff Poetry
    • David Dodd Lee
    • Isabelle Doyle
    • Kathleen Heil
    • Leonard Kress
    • Lauren Tess
    • Cesca Janece Waterfield
    • Billy Cancel Poetry
    • Scott Minar
    • Mark Decarteret
    • Greg Glazner
    • Bruce McRae
    • Maureen Thorson
  • Fiction
    • On Experimental Fiction
    • Leonnard Menifee, "The Long, Long Ice Picks At the Old Frostee Freeze"
    • Maisy Phelps, "Marina and Marina and Marina and Marina"
    • Mary Lewis, "Red Knees"
    • Anna Mantzaris, "Strange Magic"
    • Ross Kimberlin, "The Queen of Emilys"
    • Mark Cassidy, "How I Met My Wife"
    • Emily Trachtenberg, "Plum"
    • Hector Donovan-Gonzalez
    • Christopher Linforth, "Zia"
    • Jenessa Abrams, "You Never Wish That Upon Anyone"
    • Eros Livieratos, "On Feeling"
    • Halsted M. Bernard, "Your Hands"
    • Justin Meckes, "The Gash"
    • Reb Livingston, from "Bombyonder"
    • Craig Foltz, "Without Stigma"
  • Art