Map Literary: A Journal of Contemporary Writing and Art
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  • Nonfiction
    • Jill Darling, "Linger Here"
    • Charles Tarlton, "Har Mĕgiddōn (הר מגידו): The Coming American Fiasco"
    • Martha Wiseman, "Loose Ends"
    • Jan Jolly, "Through My Father's Glasses"
    • Kristina Moriconi, "Still Looking"
    • Wm. Anthony Connolly, "IGY"
    • Cal Freeman, "Loosestrife"
    • Jim Daniels
    • W.F. Lantry, "The Strange Beauty of the Unfamiliar"
    • Michael Roloff, "Accretion"
    • Andrew Sunshine, "John Hancock's John Hancock"
    • Diane Payne, "3 micro memoirs"
    • Luc Sante, "Flesh and Bone"
    • Isobel O'Hare, "Failure: A Love Letter"
    • Melissa Wiley, "Barbed Wire Fence"
    • Ashley Wilkinson, "fractional distillation"
  • Poetry
    • Orion Allen
    • Mark DeCarteret 2024
    • Mary Christine Delea
    • Kara Lewis
    • Jim Daniels
    • Martine van Bijlert
    • Adam Day
    • Sunday T. Saheed
    • Alexandria Peary 2023
    • Fiona Lu
    • Harley Chapman
    • Richard Ryal
    • Sherwood Anderson
    • Mark DeCarteret
    • Dennis Hinrichsen Poetry
    • Daniel Biegelson
    • Natan Last
    • Michael Chang
    • D E Steward
    • Benjamin Paloff Poetry
    • David Dodd Lee
    • Isabelle Doyle
    • Kathleen Heil
    • Leonard Kress
    • Lauren Tess
    • Cesca Janece Waterfield
    • Billy Cancel Poetry
    • Scott Minar
    • Mark Decarteret
    • Greg Glazner
    • Bruce McRae
    • Maureen Thorson
  • Fiction
    • On Experimental Fiction
    • Leonnard Menifee, "The Long, Long Ice Picks At the Old Frostee Freeze"
    • Maisy Phelps, "Marina and Marina and Marina and Marina"
    • Mary Lewis, "Red Knees"
    • Anna Mantzaris, "Strange Magic"
    • Ross Kimberlin, "The Queen of Emilys"
    • Mark Cassidy, "How I Met My Wife"
    • Emily Trachtenberg, "Plum"
    • Hector Donovan-Gonzalez
    • Christopher Linforth, "Zia"
    • Jenessa Abrams, "You Never Wish That Upon Anyone"
    • Eros Livieratos, "On Feeling"
    • Halsted M. Bernard, "Your Hands"
    • Justin Meckes, "The Gash"
    • Reb Livingston, from "Bombyonder"
    • Craig Foltz, "Without Stigma"
  • Art
Picture

JILL DARLING

Linger Here

In the kitchen I was eating some cherries, delicious cherries, cherries sweet like candy, cherry candy,
candy with a pit, suck it like candy and spit out the pit. Sweet like summer in the north, by the lake,
cherries from the tree down the road, the farm inland from the water, the great lake, cold and fresh,
Lake Michigan and the cherries from the farm, many farms, so many trees of cherries, sweet and
melting on the tongue in July. In the kitchen I held on to those cherries like summer, holding fast,
slowing it down. Hold summer close to the chest, it melts on the tongue, dissipates like candy, cotton
candy, floating through summer.

In the kitchen I felt the breeze, breeze on the air, a fan overhead, smoke out the window, on the
horizon, wildfire smoke in the distance. A breeze wafting through the oven’s heat, roasting vegetables,
zucchini, mushrooms, the fan drying and cooling, breeze on my neck. The air in the kitchen, a memory
but intangible, nostalgia for the present, this moment but each earlier summer moment. In the kitchen,
remembering the outside or on the porch away from the oven, the roasting, remembering this moment
again, cocktails on the porch, fresh cherries, the sweet air a bit heavy with moisture but early evening
summer a slight breeze, the quiet of July, a bit of stillness.

Vegetables heating the kitchen, a summer delight, it’s July, there are no tomatoes. This moment of heat
and remembering tomatoes in the past and future, soon in this kitchen, tomatoes and basil and
peaches. Gifts of heat and sun, fruits drip with airs of rest, summer moments of stillness under the fan
and dreaming of tomatoes, it’s true the cherries won’t last, linger slightly and then turn toward late
summer, how the light in the afternoon over the garden and evening comes in, the sweet candied
cherries make room for late summer. It’s a tradeoff, tomatoes, peaches, blueberries, and shorter days,
basil and panzanella and cobbler and the slowing of August before, don’t mention it, what comes next.

Linger here, under the fan, in the kitchen, step out onto the porch, the air still and the second hand has
stopped ticking, imagine a new moon held in place, stillness like I can hold this cherry melting, like
cotton candy frozen in time but not frozen, warm and soft like summer, this Sunday in stasis, the plants
grow imperceptibly, under a moon undecided to wax or wane what I can’t see through the trees, clouds,
haze of smoke, a sweetness of stillness. A bit of breeze the heat lingers, it’s still July and green tomatoes
hiding under leaves.
Copyright © February 2024 Jill Darling

Picture
Jill Darling has published poetry, fiction, and creative and critical essays. Her books include Geographies of Identity: Narrative Forms, Feminist Futures, (re)iterations, a geography of syntax, Solve For, and begin with may: a series of moments as well as two collaborative chapbooks with Laura Wetherington and Hannah Ensor. She’s won awards and residencies from The Academy of American Poets, the Mary Anderson Center for the Arts in Indiana, Spark Box Studio, and the Hambidge Center for the Arts. Darling teaches writing at the University of Michigan-Dearborn. More info and links to work online can be found at jilldarling.com.

published by
The MFA in Creative and Professional Writing Program
Department of Language, Literature, Culture, and Writing

College of Arts, Humanities & Social Sciences
The William Paterson University of New Jersey
Copyright © 2012-2025 Map Literary
Map Literary

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  • About
    • Masthead
    • Submissions
    • NJ High School Writing Contest
    • Rachel Wetzsteon Chapbook Award
    • NJ Undergraduate Writing Contest
    • In Print
    • Subscribe
    • Internship Opportunity
    • Links
    • WPU MFA
  • Nonfiction
    • Jill Darling, "Linger Here"
    • Charles Tarlton, "Har Mĕgiddōn (הר מגידו): The Coming American Fiasco"
    • Martha Wiseman, "Loose Ends"
    • Jan Jolly, "Through My Father's Glasses"
    • Kristina Moriconi, "Still Looking"
    • Wm. Anthony Connolly, "IGY"
    • Cal Freeman, "Loosestrife"
    • Jim Daniels
    • W.F. Lantry, "The Strange Beauty of the Unfamiliar"
    • Michael Roloff, "Accretion"
    • Andrew Sunshine, "John Hancock's John Hancock"
    • Diane Payne, "3 micro memoirs"
    • Luc Sante, "Flesh and Bone"
    • Isobel O'Hare, "Failure: A Love Letter"
    • Melissa Wiley, "Barbed Wire Fence"
    • Ashley Wilkinson, "fractional distillation"
  • Poetry
    • Orion Allen
    • Mark DeCarteret 2024
    • Mary Christine Delea
    • Kara Lewis
    • Jim Daniels
    • Martine van Bijlert
    • Adam Day
    • Sunday T. Saheed
    • Alexandria Peary 2023
    • Fiona Lu
    • Harley Chapman
    • Richard Ryal
    • Sherwood Anderson
    • Mark DeCarteret
    • Dennis Hinrichsen Poetry
    • Daniel Biegelson
    • Natan Last
    • Michael Chang
    • D E Steward
    • Benjamin Paloff Poetry
    • David Dodd Lee
    • Isabelle Doyle
    • Kathleen Heil
    • Leonard Kress
    • Lauren Tess
    • Cesca Janece Waterfield
    • Billy Cancel Poetry
    • Scott Minar
    • Mark Decarteret
    • Greg Glazner
    • Bruce McRae
    • Maureen Thorson
  • Fiction
    • On Experimental Fiction
    • Leonnard Menifee, "The Long, Long Ice Picks At the Old Frostee Freeze"
    • Maisy Phelps, "Marina and Marina and Marina and Marina"
    • Mary Lewis, "Red Knees"
    • Anna Mantzaris, "Strange Magic"
    • Ross Kimberlin, "The Queen of Emilys"
    • Mark Cassidy, "How I Met My Wife"
    • Emily Trachtenberg, "Plum"
    • Hector Donovan-Gonzalez
    • Christopher Linforth, "Zia"
    • Jenessa Abrams, "You Never Wish That Upon Anyone"
    • Eros Livieratos, "On Feeling"
    • Halsted M. Bernard, "Your Hands"
    • Justin Meckes, "The Gash"
    • Reb Livingston, from "Bombyonder"
    • Craig Foltz, "Without Stigma"
  • Art