Map Literary: A Journal of Contemporary Writing and Art
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  • Poetry
    • Richard Ryal
    • Sherwood Anderson
    • Mark DeCarteret
    • Dennis Hinrichsen Poetry
    • Daniel Biegelson
    • Natan Last
    • Jim Daniels Poetry
    • Michael Chang
    • D E Steward
    • Benjamin Paloff Poetry
    • David Dodd Lee
    • Isabelle Doyle
    • Kathleen Heil
    • Leonard Kress
    • Lauren Tess
    • Cesca Janece Waterfield
    • Billy Cancel Poetry
    • Scott Minar
    • Greg Glazner
    • Bruce McRae
    • Maureen Thorson
  • Fiction
    • On Experimental Fiction
    • Mark Cassidy, "How I Met My Wife"
    • Emily Trachtenberg, "Plum"
    • Hector Donovan-Gonzalez
    • Christopher Linforth, "Zia"
    • Jenessa Abrams, "You Never Wish That Upon Anyone"
    • Eros Livieratos, "On Feeling"
    • Halsted M. Bernard, "Your Hands"
    • Justin Meckes, "The Gash"
    • Reb Livingston, from "Bombyonder"
    • Craig Foltz, "Without Stigma"
  • Nonfiction
    • Martha Wiseman, "Loose Ends"
    • Jan Jolly, "Through My Father's Glasses"
    • Kristina Moriconi, "Still Looking"
    • Wm. Anthony Connolly, "IGY"
    • Cal Freeman, "Loosestrife"
    • W.F. Lantry, "The Strange Beauty of the Unfamiliar"
    • Michael Roloff, "Accretion"
    • Andrew Sunshine, "John Hancock's John Hancock"
    • Diane Payne, "3 micro memoirs"
    • Luc Sante, "Flesh and Bone"
    • Isobel O'Hare, "Failure: A Love Letter"
    • Melissa Wiley, "Barbed Wire Fence"
    • Ashley Wilkinson, "fractional distillation"
  • Art
Picture

Hugh Behm-Steinberg
​

Picture
Photo Credit: Birdwatching Chile

​Juan Fernández Firecrowns
 
 
Robinson Crusoe dreamed of sitting on the ground, seeing a man descend
from a great black cloud, in terrible brightness, the light scorching the earth.
 
But though this man’s countenance was dreadful, the great black cloud was a flock of
     firecrowns.
Hummingbirds! As bright as a flame of fire, Crusoe said, so that I could but just bear to
     look at it.
 
I thought the earth trembled, to my apprehension, he moved towards me, with a long
     spear or weapon in his hand, to kill me;
I was here, and I was also at home, and I was Alexander Selkirk too, I was in the
     imagination of men and women.
 
My name was Daniel, my name was Reader, and the countless people who allude to my
     story, that know of me, I was of them, and also speaking to them.
I was gripped with anger, my dreams were of murder, and of the reasons why I might
     justify doing it.
 
The firecrowns hovered before me, singing, the men and women, the man was facing me
     with my face and the spear
I held in my hands. I didn’t know I knew how to sing, that what I was doing in my sleep
     was singing.
 
To live on an island named after me, to become extinct on an island with my real name,
to be afraid, to be released from all fear, like a firecrown who has never seen a man
​     before.


​

Picture
Photo Credit: PBase

​Obscure Berrypeckers
 
 
One was found in 1867, another in 1933, in the mountains in Papua New Guinea;
they gave money to three of your popes, none of them got blessed, so they proclaimed:
 
May your cities swallow you wholebodied and spit out your pretty hats upon the
     bourgeoisie.
May you forage in loneliness your fruit and small invertebrates, hover-gleaning like the
     rest of us berrypeckers.
 
Since the species is patchy and localized in occurrence, it gets overlooked; one could be
     behind
you right now. As your tongue forgets it lives in your mouth so you forget what
     surrounds you.
 
Six hundred more popes, radiating fatherliness but still somewhat skittish among small
     children
ventured forth into the forests, disturbing the ecosystem with their lumbering activities.
 
They declared unto the berrypeckers you’re allowed to stuff your face with all the bugs
     you can catch.
You may thrive in degraded habitats, for you understand it differently from the way we
     do.
 
And the obscure berrypeckers refused to come out of hiding, but their delegates said we
     were here first;
it is you who require our dispensations. Neither silence nor wages will bargain us; we are
     post-capitalist birds.
 
All the mirrors show a healthy you, which seems a stranger to you; be widespread,
     cryptic
only to those unwilling to love you.
 
Ok, I’m sorry, I’m sorry, which is what all the popes are only able to say anymore.
Everyone gets their own pope these days, which is annoying,
 
but then the obscure berrypeckers carefully climb out of their sleeves
and they sing to each other, delighting you.


​

Picture
Photo Credit: Audubon

​Pine Siskins
 
 
It’s so true! I go there and I’m very concentrated. I stay so it’s chemical. In your genes
     you make
chicks you know how to make nests for them. Don’t you just want to be what you already
    are?
 
You can worship a deity that will always judge you but will never make up her mind no
     matter what happens;
you can take an extra turn on the way home as a way to worship her.
 
Or migrate whenever. Have a crop so you can eat a lot for later. Don’t mind cold weather.
     They insulate their nests
and the mothers never leave; they get fed by their husbands, that’s what we call a really
     good strategy.
 
And if we have to be broken, because of our choices or our refusal to choose, may we
     meet, and when we meet, may the part I need
to make it work be in your hand, because I have always been in your hand, I have always
​     been a part of you.


​

Picture
Photo Credit: Oriental Bird Images

​Xinjiang Ground-jays
 
 
Start in sequences of mountains, in progress or plantations, to leave alone/out/behind,
     relinquish, abandon…
Cover has been severely affected by collection of the medicinal herb Cistanche salsa
 
(mostly found where ground-jays live), their nests, not on the ground, tucked into brush.
As two needs together, neither naming the other in the courts. No business is the silent
     business.
 
The ground-jays go unpaid but neither are they slaves. Maybe you will never get paid.
Or you die after you’re in; your ghost lingers, and the ground-jays, seen in pairs or
     families
 
of up to six, watch you, and go back to work. They’re about the size of your hand. No
     one says
what they sound like but I hope their calls are raucous. We take turns, you scratch the
     parts I can’t reach.
 
Cistanche is valuable and salty. A root parasite, it treats the five taxations and seven
     damages,
eliminates cold, heat and pain, nourishes the viscera, strengthens yin, boosts qi.
 
I dreamed I was working so hard I couldn’t tell if I was alive or dead, awake or asleep, I
     was so focused
in my captivity, the never empty bowl of birdseed, the perch, the fear I was going to stay
     like this.
 
To labor is to lose track of reciprocities, as the ground-jays hang out in truck stops,
     adjusting
to us by picking through trashcans. We ought to model our empire on the way birds own
     space.
 
But all the funding goes both to the people studying the medicine and those counting
the ground-jays that remain. There is no evidence anything works, only green verbs
 
in the mouths of those observing nature from positions of design and wealth.
A place describing/enclosing that which contains ruins, sparsely populated by ground-
​     jays with black, gently decurved bills.

Copyright © 2016 Map Literary and Hugh Behm-Steinberg

Picture
Hugh Behm-Steinberg is the author of Shy Green Fields (No Tell Books) and The Opposite of Work (JackLeg Press), as well as three Dusie chapbooks, Sorcery, Good Morning! and The Sound of Music. Bird poems have appeared in or are forthcoming from such places as Spork, Fence, South Dakota Review, Denver Quarterly, Entropy, Kenyon Review and Ping-Pong. He's a member of the non-ranked faculty collective bargaining team at California College of the Arts in San Francisco.
published by
The Department of English
College of Arts, Humanities & Social Sciences
The William Paterson University of New Jersey
Copyright © 2012-2022 Map Literary
Map Literary

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  • About
    • Masthead
    • Submissions
    • Rachel Wetzsteon Chapbook Award
    • NJ High School Writing Contest
    • In Print
    • Subscribe
    • Links
    • Internship Opportunity
    • WPU MFA
  • Poetry
    • Richard Ryal
    • Sherwood Anderson
    • Mark DeCarteret
    • Dennis Hinrichsen Poetry
    • Daniel Biegelson
    • Natan Last
    • Jim Daniels Poetry
    • Michael Chang
    • D E Steward
    • Benjamin Paloff Poetry
    • David Dodd Lee
    • Isabelle Doyle
    • Kathleen Heil
    • Leonard Kress
    • Lauren Tess
    • Cesca Janece Waterfield
    • Billy Cancel Poetry
    • Scott Minar
    • Greg Glazner
    • Bruce McRae
    • Maureen Thorson
  • Fiction
    • On Experimental Fiction
    • Mark Cassidy, "How I Met My Wife"
    • Emily Trachtenberg, "Plum"
    • Hector Donovan-Gonzalez
    • Christopher Linforth, "Zia"
    • Jenessa Abrams, "You Never Wish That Upon Anyone"
    • Eros Livieratos, "On Feeling"
    • Halsted M. Bernard, "Your Hands"
    • Justin Meckes, "The Gash"
    • Reb Livingston, from "Bombyonder"
    • Craig Foltz, "Without Stigma"
  • Nonfiction
    • Martha Wiseman, "Loose Ends"
    • Jan Jolly, "Through My Father's Glasses"
    • Kristina Moriconi, "Still Looking"
    • Wm. Anthony Connolly, "IGY"
    • Cal Freeman, "Loosestrife"
    • W.F. Lantry, "The Strange Beauty of the Unfamiliar"
    • Michael Roloff, "Accretion"
    • Andrew Sunshine, "John Hancock's John Hancock"
    • Diane Payne, "3 micro memoirs"
    • Luc Sante, "Flesh and Bone"
    • Isobel O'Hare, "Failure: A Love Letter"
    • Melissa Wiley, "Barbed Wire Fence"
    • Ashley Wilkinson, "fractional distillation"
  • Art