Map Literary: A Journal of Contemporary Writing and Art
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    • On Experimental Fiction
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  • Nonfiction
    • Martha Wiseman, "Loose Ends"
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    • Wm. Anthony Connolly, "IGY"
    • Cal Freeman, "Loosestrife"
    • W.F. Lantry, "The Strange Beauty of the Unfamiliar"
    • Michael Roloff, "Accretion"
    • Andrew Sunshine, "John Hancock's John Hancock"
    • Diane Payne, "3 micro memoirs"
    • Luc Sante, "Flesh and Bone"
    • Isobel O'Hare, "Failure: A Love Letter"
    • Melissa Wiley, "Barbed Wire Fence"
    • Ashley Wilkinson, "fractional distillation"
  • Art
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Robin Schwartz’s photographs are held in the collections of the Metropolitan Museum of Art; the Museum of Modern Art; the Smithsonian American Art Museum; San Francisco Museum of Art; The Brooklyn Museum; Bibliothéque Nationale, Paris, France; National Museum of Photography, Film and Television, England; and The Museum Folkwang, Germany, among others. 

A 2016 Guggenheim Fellow in Photography, Schwartz was also short-listed at the Hyeres Festival de Photographie 2010, France; a two-time recipient of the New Jersey State Council on the Arts Grant; and a Ford Foundation Individual Artist Grant as a graduate student at Pratt Institute. 

Schwartz’s fourth monograph is Amelia and the Animals published by Aperture, sited by Time LIGHTBOX as one of the Best Fall Books of 2014. Schwartz’s earlier books are Amelia’s World, 2008 Aperture; LIKE US: Primate Portraits, 1993 W.W. Norton & Co.; and Dog Watching, 1995, Takarajima Books. Schwartz’s photographs have been published in the New York Times Magazine, Time Magazine LIGHTBOX, The New Yorker, Oprah, Stern, Telegraph UK, Guardian UK, Hyperallergic and Musée Magazines. Robin Schwartz’s photographs are held in the collections of the Metropolitan Museum of Art; the Museum of Modern Art; the Smithsonian American Art Museum; San Francisco Museum of Art; The Brooklyn Museum; Bibliothéque Nationale, Paris, France; National Museum of Photography, Film and Television, England; and The Museum Folkwang, Germany, among others. 

Schwartz has presented Master Talks at the National Geographic Magazine Seminar, LOOK3: The Festival of the Photograph, The Eddie Adams Workshop, the Aperture Foundation, FotoDC Week and The Chrysler Museum of Art, Norfolk VA.  

Selected features in books: Photography Speaks: 150 Photographers on their Art, Aperture, and The Chrysler Museum, 1995 and 2004 and IMAGINARIUM: The Process Behind the Pictures, by Claire Rosen, 2017. Schwartz created and edited National Geographic Magazine’s Your Shot assignment: “The Animals We Love,” and based on this assignment wrote a chapter in the National Geographic book, Getting Your Shot, 2015.  

Schwartz is an Associate Professor in Photography at William Paterson University of New Jersey and has taught at The International Center for Photography, New York City. 
published by
The Department of English
College of Arts, Humanities & Social Sciences
The William Paterson University of New Jersey
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  • About
    • Masthead
    • Submissions
    • Rachel Wetzsteon Chapbook Award
    • NJ High School Writing Contest
    • In Print
    • Subscribe
    • Links
    • Internship Opportunity
    • WPU MFA
  • Poetry
    • Richard Ryal
    • Sherwood Anderson
    • Mark DeCarteret
    • Dennis Hinrichsen Poetry
    • Daniel Biegelson
    • Natan Last
    • Jim Daniels Poetry
    • Michael Chang
    • D E Steward
    • Benjamin Paloff Poetry
    • David Dodd Lee
    • Isabelle Doyle
    • Kathleen Heil
    • Leonard Kress
    • Lauren Tess
    • Cesca Janece Waterfield
    • Billy Cancel Poetry
    • Scott Minar
    • Greg Glazner
    • Bruce McRae
    • Maureen Thorson
  • Fiction
    • On Experimental Fiction
    • Mark Cassidy, "How I Met My Wife"
    • Emily Trachtenberg, "Plum"
    • Hector Donovan-Gonzalez
    • Christopher Linforth, "Zia"
    • Jenessa Abrams, "You Never Wish That Upon Anyone"
    • Eros Livieratos, "On Feeling"
    • Halsted M. Bernard, "Your Hands"
    • Justin Meckes, "The Gash"
    • Reb Livingston, from "Bombyonder"
    • Craig Foltz, "Without Stigma"
  • Nonfiction
    • Martha Wiseman, "Loose Ends"
    • Jan Jolly, "Through My Father's Glasses"
    • Kristina Moriconi, "Still Looking"
    • Wm. Anthony Connolly, "IGY"
    • Cal Freeman, "Loosestrife"
    • W.F. Lantry, "The Strange Beauty of the Unfamiliar"
    • Michael Roloff, "Accretion"
    • Andrew Sunshine, "John Hancock's John Hancock"
    • Diane Payne, "3 micro memoirs"
    • Luc Sante, "Flesh and Bone"
    • Isobel O'Hare, "Failure: A Love Letter"
    • Melissa Wiley, "Barbed Wire Fence"
    • Ashley Wilkinson, "fractional distillation"
  • Art